Whitman and Dickinson both composed much of their work on scraps of paper and in small notebooks or hand-stitched booklets. Dickinson wrote at a table the size of a child’s desk. How did the exigencies of 19th-century life and the technologies of writing culture inform the poems they made—Whitman, the printer, with his choice of an oversized folio for his quicksilver tonal shifts, his relentless lists and cataloging? Or Dickinson’s wildly compressed, volatile, arguably Twitterable and hypertextual scribal explosions that often flooded and confounded the page at hand?
And of course plan to hear Lisa read her own amazing work in just a few weeks.
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